Tuesday, April 12, 2016

The Weaving Workshop

I'll admit, sometimes it's really hard for me to just sit down and be creative when I finally have a chunk of time. For months I'd been feeling creatively blocked, especially in my weaving. After a few months of weaving scarves, I was feeling uninspired and didn't know where to start. It had been a while since I wove anything with no end purpose or price point in mind, and I felt like I didn't remember how to put those considerations aside and be creative just for the sake of it.

Around this time, my friend Brittany McLaughlin launched her online course, The Weaving Workshop. Brittany and I were both textile design students in the 90's at Philadelphia College of Textiles and Science (now Philadelphia University). We both had had jobs in the textile industry after college, but like many designers in the industry, those jobs shipped overseas and we found ourselves switching gears.

When she asked if I would be interested in participating in her first ever online class, Ground, Path, Fruition, I jumped at the chance!


The online course begins with putting a warp on, and experimenting with basic 4 harness structures. I can't remember the last time I'd done anything besides plain weave, it was fun to be setting my loom up to weave a crowfoot and a twill again. In addition to playing with structure, we were also encouraged to play with a variety of materials.



The second part of the course was taking images of texture that we'd compiled on a Pinterest board earlier, and using those images as a starting point to interpret them into woven cloth. I decided to use only my own images, that I'd taken during my travels. Here are some examples of my swatch side by side with the inspiration.

This photograph was from a rocky beach in Maine. 

This image was a landscape in Monument Valley from our October 2012 trip.

You can see all my samples over on Pinterest.

The final part of the class was making a book from all the materials in the class. Personally, as someone who makes books, I loved that this project connected those skills also. Also appropriate for me since the first bookbinding workshop I ever did was part of my first handweaving class in college.

It was liberating to weave, and not be thinking about price point or who would buy this. No one even had to see it except for me. This class was the perfect antidote for feeling creatively blocked and the added surprise was how it perfectly combined many different parts of my life: my love for weaving, bookbinding and traveling.

Throughout the course, Brittany didn't focus on technical details, but more on the meditative quality of weaving, which was so refreshing.

If you're a weaver looking for some creative direction, I highly recommend checking out Brittany's class at The Weaving Workshop. I was so inspired by it, I promptly put on a new warp, this time threaded for 8 harnesses.





Friday, April 1, 2016

Nana Sydney

The lovely ladies over at The Lady Project blog invited me to write a post about an inspiring woman in my life for Women's History Month. I wrote about my amazing Nana Sydney, who passed away in February. 

Please head over there and read the full post. 


Here were are in 2006, on our way into New York to see the Alvin Ailey American Dance Theater, something we did every December for about 15 years. It was always a highlight of the year for both of us.